Free dance template, no account
Free Dance Costume & Equipment Checkout Form
A dance costume is made or ordered for one piece, often months ahead, and it goes home with a headpiece, accessories and sometimes props that all have to come back. This form tracks what your program lends by its costume number, with size and condition both ways, a replacement cost and a signature, so the costume that comes back after the recital is the costume that went out.
What a dance costume and equipment form should list
The form above comes with the rows already filled in. Delete the ones your program does not lend, and add what it does.
- The costume. Its own row, with the costume number in the ID / number column and the size in the second. The number ties the costume to the piece it was made for and to everything that goes with it.
- A second costume. A row of its own, since a dancer in two pieces carries two. Dancers in a company often do, and the second one is the one that gets left in a bag.
- A headpiece or hair accessory. Small, easy to lose and expensive to match, so it gets a row of its own.
- Gloves, belts and other accessories. The pieces that go home in the bag and come back last, one row each, since they can return separately.
- A team jacket and warm-up pants. Only if your program issues them, one row each.
- Props. Hoops, canes, fans, scarves or whatever a routine uses, listed by name, since a prop is the item most likely to be someone else's responsibility at a rehearsal.
- The garment bag or dance bag. A row, so it comes back with the rest.
Costumes are made for a piece: why the form tracks the number
In most sports a lost piece of kit is replaced from a box. A dance costume is different, because it was made or ordered for one piece.
- The number is the item. When the form says costume 14 in a child medium, you know what went out and what has to come back, and the costume and its pieces are tied together.
- A replacement is an order. A missing piece may need a matching reorder, which can take time and may cost more per piece, so the replacement cost column is worth filling in before the year.
- Sizes change. Dancers grow during a year, and a size recorded at handout is the evidence if a swap is needed. Record the size, and record any alteration a teacher approved.
- The condition columns are the evidence. A record of condition at handout and at return is what turns a conversation about damage into a short one.
Does your program lend costumes, or sell them?
This decides how much of the form you need, and many programs do some of each.
- Sold to the family. The costume is ordered for the dancer, paid for through a costume fee, and kept. There is nothing to return, so the form is only needed for what else goes home: props, a headpiece you own, warm-ups.
- Lent for the year. School teams and companies often own costumes and uniforms and reuse them. Everything goes on the form, with the costume number and a return date.
- Lent for the show. A costume that goes home for the recital week and comes back after it. The form is the receipt, and the return date is the day after the last performance.
Whichever applies, say which in the policy at the foot of the form and in the first email, since families who thought they were buying a costume and families who thought they were borrowing one both have strong feelings about it.
Checking costumes and gear before you reissue them
Follow the maker's care label and your program's rules, and look a costume over each time it comes back. This is what is worth checking.
- Seams and closures. Tears, stretched elastic, a failed zipper, and hooks and eyes that have pulled loose.
- Sequins, rhinestones and trim. Anything loose or coming off, because a loose stone is easy to lose and unpleasant to find, and can be a slip hazard on a stage.
- The pieces together. Every part of the costume in the same size, from the same piece, with the same costume number where your program uses one.
- Headpieces and props. Clips, elastic and any rough edge, and whether a prop is still sound.
- When to look. At return, not at issue. The best time to find a problem is when the dancer hands it back, not the week before the next performance.
Setting replacement costs before the year
The replacement cost column exists so that a conversation about a missing headpiece is about a number families saw at the start of the year. Use your supplier's current price, not last year's, and put the figure in before the form is printed. The column records your organization's stated cost. It is information, not a charge: what a family owes is set by your written policy and your competition's rules.
Your program sets its own equipment return and replacement policies, and the kinds of dance kit can reasonably have different ones. Many programs charge the replacement cost for cheap items such as headpieces and props, ask for a return or a charge on a costume, and hold a deposit that comes back with a complete costume. If you charge families for lost or damaged equipment, state the policy clearly before the year and check it against your competition's rules. Write whichever you choose into the policy section at the foot of the form.
Collecting it all back
- Name the date at the start. It is at the top of the form, and it should be on the first email.
- Pick one collection day. A single table after the last performance beats thirty text messages after the recital.
- Collect the costume together. Every piece in one bag, props with it, so a missing piece is obvious on the table.
- Do not alter a costume. Say in the policy that costumes are not cut, sewn or glued by families, and where a teacher approves an alteration, record it on the form.
- Sign it off. The staff signature line on the form is the moment the costume is yours again. A returned costume with no signature is a story, not a record.
Other sports, and the general version
This is the dance version. The general equipment & uniform checkout works for any sport, and the dance forms and templates page lists the other 5 dance documents.
Playbook Logix provides customizable templates for informational and administrative use. They are not legal advice and will not meet the requirements of every organization, sport or jurisdiction. Review anything you intend to rely on with your own attorney or your insurance carrier, and check your league and state requirements.
Common questions
What should a dance program check out to dancers?
Whatever the program owns and lends: a costume for a piece, a headpiece or hair accessory, gloves or other accessories, a team jacket or warm-ups, and props such as hoops, canes or fans. Shoes, tights and anything worn against the skin are usually bought by the family and stay off the form.
Do we need this if families buy their own costumes?
Only for what you lend. Many studios sell a costume to the family, who keep it, and then there is nothing to return. The form is for the costumes a school team or company reuses, for borrowed pieces, and for the props and warm-ups that go home and have to come back.
Why does the form record a costume number?
Because a costume is made or ordered for one piece, and a lost piece may need a matching reorder, which can take time and may cost more than the original. The ID / number column is where the costume number goes, so the costume and its pieces are tied together.
Why are costumes so hard to replace?
Studios order them for a piece, often months ahead, in a style and a color that may not be available later. A single lost piece can be difficult to match. It is worth putting the figure and the policy in writing before the season, so the conversation is short.
Should we charge a deposit for a lent costume?
Many programs do, and it works best as a single line written before anyone signs. Say what is refunded for a complete costume returned by the date, and what is kept for a missing piece. Keep it separate from tuition and the costume fee.
What about hygiene for tights, shoes and items worn against the skin?
Check your program's policy. Many programs do not lend tights, shoes or undergarments and ask families to buy them. If you lend any item that goes against the skin, say how it is cleaned, and put that in the policy section of the form.
When should we collect costumes back?
On a named date, announced at the start of the year and repeated twice. The form has an all-equipment-due-back date at the top for exactly that. Collect at the last performance or on a collection day after the recital, with every piece of a costume together, rather than leaving it to families to remember months later.
More dance tools
The rest of the dance toolkit
Dance Registration Form
Styles studied, training and level, dancewear and shoe sizes, and injury questions, on a form for sign-up night.
Open the generatorDance Code of Conduct
Dress code, stretching, advanced-skill and injury rules for dancers, and filming, casting and backstage rules for parents, on one page with one signature.
Open the generatorDance Tryout Evaluation Form
A scoring grid for technique, turns, leaps, musicality, retention and performance, with a table for how much of the combination each dancer keeps.
Open the generatorDance Student Evaluation Form
A mid-year report for a parent: dance skills against the age group, a section for each style, and room for words.
Open the generatorDance Tryouts & Audition Guide
A 90-minute run of show, seven stations from warm-up to a combination, a staffing plan, how to place dancers, and a safety plan.
Read the guideOnce you have filled it in
Playbook Logix
Where Playbook Logix fits with dance equipment
Playbook Logix is registration, rosters, payments, schedules and team messaging for youth and adult sports, in one place. Playbook Logix does not track equipment you lend out, so keep using the form above for that. What it handles is everything that happens around the gear.
Collect sizes at registration
Add size questions to the registration form and sort the registrant list by any answer to build the order, since every question becomes its own column. Free on every plan.
How it worksSell the gear at checkout
On the Coach plan and above, sell a second jersey, a warm-up or a spirit pack during registration, with options such as size priced as one item. The total adjusts, and there is no separate order form to reconcile.
How it worksSay when it is due back
Post the return date and where to bring everything on the team message board, and see who has tapped Acknowledge before collection day.
How it worksThe Starter plan is free, and the iPhone and Android app is free on every plan. Anything described above as Coach plan and above needs a paid plan. See the plans or the mobile app. Nothing you type into the template above is sent to us, whether or not you ever sign up.
Tired of chasing paper forms?
Playbook Logix collects registration, waivers and payments online, so the paperwork you hand out with the uniform is the last piece, not the first.